Palazzo Vitelli alla Cannoniera, with its Italian-style garden and green hills in the background.

The Municipal Art Gallery of Città di Castello

Considered the most important collection of Umbrian art after the National Gallery of Umbria in Perugia, the Municipal Art Gallery of Città di Castello is housed within the splendid Renaissance Palazzo Vitelli alla Cannoniera.

Built between 1521 and 1532 in Florentine style, surrounded by an elegant Italian garden and featuring a refined sgraffito façade by Gherardo Colombo, known as Il Doceno, based on designs by Giorgio Vasari, as well as frescoes by Gherardo Colombo and Cola dell’Amatrice, the palace is itself a work of art. In 1912 it was donated by its last owner, the renowned antiquarian and art dealer Elia Volpi, to the Municipality of Città di Castello to become the home of the Municipal Art Gallery. During the 1980s, important restoration works directed by art historians Alessandro Marabottini and Francesco Federico Mancini of the University of Perugia returned both the palace and the gallery rooms to their original appearance.

The Collection: Renaissance Masterpieces and Twentieth-Century Works

The gallery is divided into twenty-six rooms, complemented by additional exhibition spaces dedicated to temporary exhibitions. It houses works dating from the 14th to the 20th century, many of which entered public ownership following the confiscations carried out after the unification of Italy.The collection bears witness to the artistic vitality of an area situated along important communication routes and cultural exchange networks. Among the most significant works are those by artists from outside the region, including Luca Signorelli, Domenico Ghirlandaio, Andrea della Robbia, Lorenzo Ghiberti, Antonio Vivarini, Raffaellino del Colle, Pomarancio and Santi di Tito.

The museum also preserves Raphael’s Banner of the Holy Trinity, considered by scholars to be the first work in which one of Italy’s greatest painters departed from the style of his master, Pietro Perugino, in search of a more personal artistic language.

The rooms inaugurated in 2006 house three important donations: the plaster-cast collection of the sculptor Elmo Palazzi (1871–1915), a collection of bronzes by Bruno Bartoccini (1910–2001), and the Ruggieri Collection, comprising around twenty paintings by twentieth-century Italian artists.

The furniture displayed throughout the gallery did not originally belong to the palace but formed part of the donation made by Elia Volpi to the Municipality of Città di Castello in 1912. It includes sixteenth-century tables typical of Umbrian craftsmanship or originating from monastic settings, as well as sets of chairs and high-backed armchairs dating from the seventeenth and eighteenth centuries.

Among the most valuable pieces are furnishings from churches and monasteries in Città di Castello. Particularly noteworthy is a group of Gothic choir stalls, carved and decorated with marquetry, attributed to the workshop of Manno di Benincasa Mannucci, one of the most renowned Florentine woodworkers of the early fifteenth century. The choir, the sacristy cabinet signed and dated 1501, and the large carved and gilded sarcophagus that once housed the body of Blessed Margaret are outstanding examples of the exceptional quality achieved by Umbrian craftsmanship at the end of the sixteenth century.

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